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This is the long-winded version of how I found painting.
Try and stay awake now - I might be watching . . .!

Hello again, and welcome back.. This is the part where I tell you how I accidentally discovered decorative painting, and wound up in an industry that has changed my life. Well, that's partly true -- except I believe that nothing is really ever by accident. That just seems to be the thing everyone says when they can't explain stuff. There's a much bigger person that makes good things happen. Don't you agree? And of course, there are always the little "angels" around us -- the ones that keep their feet on the ground, that have been there for me too.

Believe it or not I never liked painting. While always artistic in school, I much preferred drawing and sculpting. Asking me to paint was like serving the death sentence . . . never liked it. My sister-in-law, Tresa (aka "Sis") was the "painter" in our family, and it was while we were at one of our shopping trips to the craft store, I discovered the beautiful works of Ros Stallcup.

So, here I am, bored silly -- waiting for "Sis" to finish up in the tole painting section (whatever the heck "tole painting" was)...., and I saw this most wonderful book. Springlike, florals, it called me in. It was too beautiful to put down. After thumbing through it for a short time, I too was in line to make a purchase. My first official tole painting book -- Gran's Garden. By the time I got home I called Ros' home to find out about lessons. There was no thinking, I just knew I had to paint this stuff. Wasn't it a coincidence that Ros was going to be in our area only the very following month? Or was it . . . . a coincidence?

Okay - so let me give you a visual. I had gone to the tole shop (Artistic Ewe) and Mrs. Beverly (one of the owners) had fixed me up with all the things I'd need to paint in the class. So I have this crude little "sack' of painting sundries -- Meanwhile, all the students in the seminar had their painting things too.... Suffice it to say they did not pull theirs out of a plastic bag. <giggles> There were fancy stand-up brush holders, wet palettes, and this funny thing about quarter-folded paper towels... <scratching my head> What's that all about? The good news is -- I've never been one to overthink something when I want to try something new. The day had come and it was time that I sit down in my seat and began to get my self ready.... Water basin - was I supposed to have a water basin????

Anyway, everything worked out just fine. The day of painting was absolutely picture perfect. My finished piece was as respectible as any and if you look just below this part, you'll see the very first piece I ever painted. What a wonderful day I got to spend with Ros. She is truly a dear lady both inside and out. There are three things I know are true about that day . . . 1: There are little angels that are put in our paths and they make things turn out extra special for us. (Ms. Beverly Cratty); 2: having had Ros was probably the very best first teacher I could have started with because of her casual, relaxed teaching style, and because her style is loose and carefree. I think that is how I would have gravitated even if I hadn't had Ros that day...., and most importantly, 3: Nothing is really ever by accident. God had a bigger plan for me - and that was the day He decided I was shown what that plan was. Yep -- a pretty busy day all the way around!

After Ros' class, I couldn't get enough painting. It had overtaken my life and I had embarked on a learning journey of a lifetime. Studying with some wonderful designers and teachers in the year (Bobbie Takashima, Phyllis Tilford, and Connie Parkinson) that passed so quickly, I learned as much as my head could hold.... Luck was with me once again because I had people like Connie Parkinson that took me under her wing, and prodded me into designing. Connie seemed to pave the way for me - step at a time, and she made sure people saw the things that were ready... If it weren't for Connie, all this may not have ever happened. She literally loved me to success.

And then there was another little "elf angel" named Jamie Mills-Price. My meeting with Jamie was completely by chance, but as the time passed and we became friends, I came to realize those beautiful designs that are in her wonderful books (9 of them now) -- she was more beautiful on the inside than even out. She - along with Connie, gave me the road map to becoming a successful artist and she never hesitated once in sharing anything with me. What I didn't realize at the time is that through my association with such wonderful people (Ros, Jamie, Connie, Ms. Phyllis) I had some of the powerhouses of the business - and they had expended far too much time on me to see me fall down. Another miracle??? Probably . . .

Well, I don't if that's what you'd call it, but what set my design work apart from most is my screen painting designs. You can't live in Baltimore without being aware of the artform that was started here in our area, back in 1913. While most of the traditional painted screens are done in oils, I decided to try my hand at painted screens with the use of acrylics. After much trial, error, and practice, I was able to devise a method for an acrylic artist which would render a beautiful painted screen which rivaled the earlier counterparts.

BeachWatch At Fasy Cove my first official screen painting design, and it wasn't too long thereafter that I had my next design, Summer Splendour, featured in The Artist's Journal. That Fall, 2000 publication proved to be a springboard for me, as it brought both the art of screen painting and my work to the public eye. Thereafter I continued to add more instructional packets to my lineup, and branched out to designs on wood, slate, and of course more screens!

In April of 2001, my first book as published by Eas'l Publication. This book meant a great deal to me personally, as it is a gift of love to my children, Ronnie and Courtney. I am convinced that if it weren't for their constant inspiration and encouragement while I recovered from my accident, things would have never turned out like they have. They truly are the colours of my heart.

I've been asked by many students and friends to add this final portion to the story. It is so hard sometimes to decide what to share, and what to withhold. But after being asked on numerous occasions I decided that I needed to give some closure to the bleaker parts. I didn't realize that I hadn't ended the tale - so this is brand new. So often people want to know just what things are like for me now. I'd be glad to share that with you. Probably the most frequently asked question is . . . "how is your sight now?" And I am happy to reply that it is much better than when we first arrived in Baltimore. I was blessed to have the world-renouned surgeon, Dr. Walter Stark, take care of me. He was confident that he could restore a part of my vision so that I could carry out a very normal life. Thank God for people that study hard and know their business, because Dr. Stark did just exactly that.... Who ever thought I'd be able to paint - that is the miracle part.

The dark is still a problem - I loose lots of vision in darker areas. Printed matter (newspapers, letters, bills <yuck> and the like) are a problem for me. You process information differently than you do shapes and colors. So that basically means I don't do too much reading of things - and I'm happy to report that NASA is not looking to hire me for the "button-pushing" stuff too! <giggles> On the flip side -- I am able to paint beautiful pictures - with beautiful colors, and I have fantastic companies like Jo Sonja, Inc., Royal Brush, and DecoArt Americana Acrylics who are kind enough to give me everything I need to make those pretty pictures.

I drive. <giggles> Yep! Despite the wishes of many (husband, friends, etc.) I still drive. My old boss (and friend - ) Jim Beadles used to cringe when I told him I had been out driving in Louisiana (prior to the surgeries). He would say . . . "Roxanne, before I leave the house I call you. If you answer the phone I know it is safe to go out, but if you don't answer the phone I stay home til you do!" That sort of sums it up!!! <giggles> Nah -- it's better now - don't be afraid.

Life is full of trade-offs. I've come to realize that as cliche' as this is going to sound -- when one window closes, a door does open. It is up to us to decide what door opens, and more importantly, which path we'll take after we pass through the door itself. I try not to look back too often on sad things; I try to remember the things I love and I look forward to see what the future has in store for me. I look at things differently now because I realize how beautiful everything is. I remember seeing a tree for the first time after surgery and it made me cry. I thought about the poem "I think that I shall never see a thing as lovely as a tree" because it was so simply beautiful.

Okay -- enough of that stuff! I hope that has given you a little bit better idea of what has happened to me in the past, and what I love to do which is paint! We all are given gifts from God . . . , and it is a blessing when we realize it when He drops them in our laps!

"To laugh often and much; to win the respect of intelligent people and the affection of children; to earn the appreciation of honest critics and endure the betrayal of false friends; to appreciate beauty, to find the best in others; to leave the world a bit better, whether by a healthy child, a garden patch, or a redeemed social condition; to know even one life has breathed easier because you have lived. This is to have succeeded."

Ralph Waldo Emerson




 


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